Oliver Reed appeared in many Hammer Films over the years, and The Curse of the Werewolf, the third film I viewed on Halloween, was one of his towering performances. Reed goes from being sympathetic and likable to a horrifying beast, giving us, the audience, reason to root for and also be repulsed by him. As typical of many Hammer productions this one touches upon class issues, and of course features a prior evil that leads to the main evil, a plot element that many slasher films incorporated later on as well. Also I had no idea that a child born on Christmas Day would become a werewolf, something that I have never heard of before in any horror movie that I can think of, although perhaps it is based in some old myth or legend. It is too bad that Hammer Studios only made one werewolf movie, as this is one of their best films and it was made by their premier director, Terence Fisher.
Catherine Feller is also great as Cristina, who Reed’s Leon falls in love with despite the fact she comes from wealth and he is unable to marry her, and Martin Matthews is likable as Leon’s friend, Jose. I really dug the werewolf transformations, and the creature effects are properly freaky for such a film. Featuring a well rounded cast, surprising amounts of gore for a 1960s movie, and anchored by Reed’s excellent performance, The Curse of the Werewolf is a must for both horror and Hammer fans.