Horrorfest 2019 Presents: All The Colors of the Dark (1972, Sergio Martino)


Edwige Fenech has that wide eyed, haunted look down pat, and she channels her character’s nightmarish journey in Sergio Martino’s cult film All The Colors of the Dark. One thing I liked about this movie is how you are not sure if anything is real, if Fenech’s Jane is going mad or if she is falling prey to evil. Martino clearly has an eye for visuals and he also is able to craft a film that has a high level of strange, the eerie just dwelling beneath the surface of what appears to be reality. There is a reason I enjoy giallos so much: they feature stylized violence but also make the viewer pay attention by offering up scenes that are engaging even if they do not add to the film’s overall plot. Well that and they have scenes that sometimes do not make any sense.

Despite being a tad dull at times I really enjoyed this movie, and I think another viewing is in order to discuss it’s twists and turns. Midway through the movie goes down a strange and rewarding path, and the ending was nicely done if a bit expected. I got some Rosemary’s Baby vibes, however I was also reminded of the belief that if it happens in a dream, it can happen in real life. While I don’t believe that, I often wonder if perhaps I am mistaken. Is it a nightmare if you are wide awake and it is happening before your very eyes? Are we doomed to create new mistakes that echo those of the past? And why in horror movies is it often always fall weather? Watch this movie and find out. Maybe.

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